Kevin Snyder on Scripting – Set Layer Selection Adobe After Effects Expressions.Professional Tiffen ND Filters for DJI Avata Drone RenderBreak: A Blog on Innovation in Production Presentation, Motion Graphics & Widescreen Design Also, I’m not sure it will address your screen-warping without additional programming. It’s very powerful, realtime, and network-aware, but I’ve found the learning curve to be pretty steep. It’s probably not suitable for structured storytelling, but it could be an option if your content is eye candy. It’s used to make all of Apple’s screen savers, iChat effects, and iMovie effects and transitions. One option that’s not commonly suggested is Apple’s Quartz Composer, a node-based visual programming language. I haven’t found any standalone product that gives me the power of AE in realtime, synched over multiple displays. That said, my Watchout workflow is pretty much the same as yours-a lot of After Effects, a little bit of Watchout. If Dataton ever added a titler, that would go a long way to addressing my frustrations in designing Watchout. Version 4.1 is expected to include blend modes. Timeline layering has been inverted, too, so items on the top layers of the timeline are composited on top of the image, just like in Photoshop and After Effects. There are some big improvements over v3 in content creation, including compositions, auxiliary timelines, and show control. If you haven’t used Watchout 4 yet, you should check it out. I think you’ll find its architecture, strengths, and weaknesses are quite similar to Watchout’s. I’ve found Watchout to be pretty stable, though-what sort of reliability issues are you having?ĪVStumpfl makes Wings Platinum, a product very similar to Watchout-perhaps this is the product you were asking about before. I understand your frustration with the creative options in Watchout, but I think you’ll find that all the solutions in its class have similar weaknesses they are essentially media servers/compositors, rather than content creation tools. We are open to either solution – and even Linux if it suited our needs. We are mainly a MAC creative shop, though most of our AV equipment tends to be Windows based. Most of the time currently we either make smaller, less exciting shows directly in Watchout, or we make dynamic presentations from After Effects and render out WMVs for Watchout. It was the main reason we started with Watchout, and we would hate to go to something else that did not have that and have to rent a separate screenshaping hardware. Main thing too that we would need in a product is screen-shaping. Now I know people in this forum have suggested other products before, but I wanted to see if anyone could suggest specifically a product that was like Watchout in price (or less) but was a little more options-rich in terms of content creation. I have been frequently less than pleased at some of the reliability of the setup – which admittedly could also be some hardware issues – as well as the frustratingly uncreative way in which it creates shows. But these units will hurt the bank account.I work for a A/V installation company and we use Watchout primarily for all of our multi-display shows. I'm not sure what kind of $ you're looking at dropping on this stuff. Such as the Folsom Research Encore System or the Vista Systems products. There are other units which are capable of doing this type of thing, but they are large format scalers, PIP, switchers, and everything else you could want. I don't think it looks after vertical blends though. Not too sure of the particulars on this unit, but it takes up to 4 sources and works out the edge dissolves and stuff for doing wide images. Not sure of it's limitations, but I believe it is over 100 units.Īlso you could look at the Folsom Research Blend Pro: It lets you link images horizontally, vertically, whatever. You need one computer for each projector/display that you are using. This is probably the closest thing to the Pro Video Player that I'm aware of. I'm not familiar with Pro Video Player, but here are a couple ways I've heard of to get an image across multiple projectors, screens, monitors, etc.
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